“Good critics really know their territory. Many media sites now just assemble images and news items without lending a point of view. That’s not a criticism; it’s pimpery,” says Blair Kamin, the Pulitzer Prize-winning architecture critic of the Chicago Tribune.
Architectural criticism is a really tough task as there are many aspects that cannot be distinguished as right or wrong, for instance, aesthetics; what might be beautiful to someone may just seem artificial to another one. So, becoming an effective architecture critic requires a wide range of attributes which include vastness of knowledge, years of experience, the power of persuasion, excellent delivery skills, lots of patience, thirst for awareness, and logic in arguments. Architecture critics not only assist architects in understanding the nature of their own project but also help them in developing a critical judgment about it. They make the picture clearer.
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Top, L to R: Paul Goldberger, Cathy Lang Ho, Robert Ivy, Karrie Jacobs, Blair Kamin. Bottom, L to R: John King, Alexandra Lange, Cathleen McGuigan, Michael Sorkin, Susan Szenasy. Image via huffingtonpost.com
So, now letâs review some of the skills and qualities necessary for critics to perform their role in a most constructive manner.
List of 7 Principles of Architectural Criticism
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Fairness in Judgement
First, the critic should be a âman of principlesâ. Fairness and clarity are essential when judging a design. The design should be assessed as per its own requirements rather than taking another project as a basis for comparison. A civilianâs house can never be judged along the lines of Kingâs Palace.
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Logical Reasoning
The critic should always have a logical reason behind the argument. “Emotion doesn’t trump reason,” says Robert Ivy, CEO of the American Institute of Architects. Of course, having an affinity towards a particular designer or style isnât wrong, unless it affects the way in which others are criticized. The goal behind criticism should never be insulting the architects or their designs, rather it should be pointing out the wrong in order to improve the whole situation.
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Building a Persuasive Case
“The critic has to build a persuasive case–brick by brick,” says Cathleen McGuigan, Editor in Chief of Architectural Record. The art of convincing is very significant to make criticism more constructive. The criticâs opinion is not of any use if the receiver does not understand it and truly agrees with it. Describing a real-life experience as an example to prove a point might help.
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Adequate Delivery
Sometimes, it is the language that ruins a good critic. Poor delivery may ruin the effectiveness of a critique, even though the critic is right and has good intentions. Similarly, appropriate delivery may, even, promote an egocentric criticism. The critic should deliver the message in a positive and motivating manner, without hurting the targetâs sentiments. The evaluative language like âYou are wrongâ or âThis is a stupid ideaâ may not be of any help whereas âI feel like this may be a better solutionâ might just work wonders.
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Objective Commentary
Criticism should be more objective. It should be specific, relevant, and to the point. Focusing on the problem at hand helps in understanding the context. âYour design lacks thisâ is anytime better than âSomething isnât right but I am unable to put itâ.
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General Knowledge of Architecture
Awareness of the past, present, and possible future issues and trends of architecture is a genuine requirement for a critic to be capable of commenting on an architectural design. Also, experience as a practicing architect can be very advantageous.
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Understanding the Architect’s Point of View
Lastly, itâs essential for critics to put themselves in the shoes of the receiving architects in order to adjudicate the design properly. Doing this will enable them to understand the problem from the architectâs point of view and hence deliver more appropriate suggestions.
By: Kushal Jain â Edited by: Â Yosra M. Ahmed
Reference: “The 7 Lamps of Architecture Criticism”, Lance Hosey, Jun 17, 2015