University of Iowa Voxman Music Building
Vision
The Voxman Music Building celebrates musical performance at every turn, embracing a collaborative and exploratory student-driven model of education that treats every space as performance space. The building shares this sense of musical discovery with the community through a transparent expression. Conceptually, the pattern of streets and open spaces in the mixed-use district of Iowa City extends directly into the multi-level interior spaces, cultivating a sense of vertical urban vitality and embracing its downtown civic presence.
Photography by © Tim Griffith
Site and Program
The six-story building is situated between the campus and the downtown core of Iowa City, embracing both academic and urban experiences. The program comprises a 700-seat concert hall, a 200-seat recital hall, an organ performance hall, a music library, rehearsal rooms, practice rooms, classrooms, and faculty studios and offices.
A multi-story glass corner entry at a major downtown intersection connects the internal spaces to the campus and city, with the two major performance venues marking their presence on each of the main facades. Between the performance spaces, porous, day-lit circulation volumes interlink to form the student commons, performance and rehearsal lobby, and a three-story atrium. A fourth-floor exterior terrace, nestled behind and between the wings of the rear facade, serves as an elegant gathering space that frames views to the city’s historic courthouse and countryside beyond.
Photography by © Tim Griffith
Design
The concert hall cantilevers boldly over the Burlington Street sidewalk and the Student Commons below, while the recital hall, wrapped in a shingled-glass wall system, symbolically bursts out over the South Clinton Street sidewalk. A composition of subtly textured terra cotta panels and low-iron glass with delicate shading patterns wraps the full exterior. All spaces in the building, including performance halls, rehearsal rooms, offices, and common areas, provide natural light and connections with the outside while maintaining acoustic isolation.
Virtually every space is acoustically tuned and tunable—enhancing pedagogical flexibility, reinforcing the value of serendipitous collaboration, and cultivating opportunities for active and team-based learning. Each space must adapt to a wide range of performances, from voice to percussion, from classical to jazz.
Many requirements of the facility’s high-profile performance spaces are met by high-performance architectural design. The concert hall features a suspended “theatroacoustic” system, unifying acoustics, lighting, and life-safety requirements into a dramatic, multi-functional architectural expression, and the resulting intricately sculpted element is assembled out of 946 unique, folded-aluminum composite modules digitally fabricated from a parametric model.
In the recital hall, red-colored acoustical panels optimize the room’s acoustical properties while incorporating a wall-sized shingled-glass window that unites the performance event with the urban experience. In the three major rehearsal spaces, high ceilings are filled with swarms of colored, kite-like reflectors that vary between solid and perforated to achieve dynamic acoustical and lighting effects.
Photography by © Tim Griffith
Project Info
Architects: LMN Architects
Location: Iowa, United States
Associate Architect: Neumann Monson Architects
Size: 184,000 square feet, Seating capacity: 700 concert / 200 recital seats
Type: Cultural Center
